https://www.markdoox.com/contact daily 0.75 2026-07-26 https://www.markdoox.com/new-page-2 daily 0.75 2024-08-13 https://images.squarespace-cdn.com/content/v1/623dde2a052c590a4c2f8fcc/0e823a15-2610-4fd8-b0d6-2add3c356946/JLP-show-AMALGAM-MAN-AND-RED-HORSE-fbJLP.jpg https://images.squarespace-cdn.com/content/v1/623dde2a052c590a4c2f8fcc/3b04d208-a0a9-4d3f-b042-fc4c2049551e/JLP-show-MADONNA-AND-CHILD-OF-THE-APOCA-LIPS-AND%2B-THE-SERPENT%27S-TONGUE-%28TAKING-CARE-OF-MS.-ROSEMARY%27S-BABY%29-fbJLP.jpg https://images.squarespace-cdn.com/content/v1/623dde2a052c590a4c2f8fcc/e2ee3217-2729-4f34-8344-87e12b7553e0/JLP-show-SON-OF-MAN%2B%28AFTER%2BMAGRITTE%29-fbJLP.jpg https://images.squarespace-cdn.com/content/v1/623dde2a052c590a4c2f8fcc/0390e270-6ba4-4bf7-b0ab-a3f80469ab44/IMG_1942.jpg https://www.markdoox.com/terms-of-service-3 daily 0.75 2026-07-03 https://www.markdoox.com/faqs-2 daily 0.75 2024-12-10 https://www.markdoox.com/general-6 daily 0.75 2023-01-02 https://images.squarespace-cdn.com/content/v1/623dde2a052c590a4c2f8fcc/bf987878-1823-499f-a9ff-e1f984e0908d/Con-Art-BLACK-THE+PERSISTENT+ILUSION+OF+BLACK+copy+2.jpg https://images.squarespace-cdn.com/content/v1/623dde2a052c590a4c2f8fcc/fd12c152-ab27-4d06-bfef-0ebc7a2c7f68/Con-Art-BLACK-Something+to+know+about+Black+People+copy.jpg https://images.squarespace-cdn.com/content/v1/623dde2a052c590a4c2f8fcc/d540e1c3-aa93-45b3-b503-66b16113f9ab/B-W-People-pge%231-FB-IG.jpg https://images.squarespace-cdn.com/content/v1/623dde2a052c590a4c2f8fcc/b698c055-adf6-4bf3-b990-26da42a6e2b4/master-pnp-gtfy-02600-02624a+copy+4+%281%29+copy+2.jpg https://images.squarespace-cdn.com/content/v1/623dde2a052c590a4c2f8fcc/cfd645e3-1ada-440a-bd34-464085e3a996/B-W-pge%230-COVER%21%21.jpg https://www.markdoox.com/work daily 1.0 2026-07-28 https://www.markdoox.com/work/project-five-amrgs monthly 0.5 2026-07-28 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1618511387030-5LI1E5QMVTQ2RY9S00A4/20140228_Trade+151_0046+1.jpg My Projects - Gallery https://images.squarespace-cdn.com/content/v1/623dde2a052c590a4c2f8fcc/df271bec-6589-4c99-99bc-b6070454c26d/28b-IG%21.jpg My Projects - Gallery - MARK DOOX You Are Not Victims, 2025 Acrylic collage painting with gold metal leaf, paper, and pigmented ink on red-painted cradled wood panel 16 × 12 in. Direct studio price: $1,500 — shipping additional Selected works in this limited release are available directly from the artist at the studio price. The gallery price is the established retail price when the work is sold through a gallery; the direct studio price reflects a purchase without a gallery commission. Sold In You Are Not Victims, the traditional Byzantine image of the Virgin and Child is recast through the visual language of Christian nationalism, race in America, violence, resistance, and national identity. The declaration passes from mother to child: “You are not victims. We are.” Weapons, flags, blackface, and sacred symbols transform the icon into a vision of imagined holiness, claimed oppression, entitlement, and manufactured victimhood. https://images.squarespace-cdn.com/content/v1/623dde2a052c590a4c2f8fcc/5fc8239e-db83-446a-9f56-950bf2698759/24a-IG.jpg My Projects - Gallery - MARK DOOX Make America Great Again (Our Lady of the Apoca-Lips and Watching Miz’ Rosemary’s Baby), 2025 Acrylic collage painting with gold metal leaf, paper, and pigmented ink on red-painted cradled wood panel 16 × 12 in. Direct studio price: $1,500 — shipping additional Selected works in this limited release are available directly from the artist at the studio price. The gallery price is the established retail price when the work is sold through a gallery; the direct studio price reflects a purchase without a gallery commission.. Acquisition in progress In Make America Great Again (Our Lady of the Apoca-Lips and Watching Miz’ Rosemary’s Baby), a historical photograph of a Black wet nurse or “mammy” holding a white child is transformed into a Byzantine-style icon. The familiar image of Black maternal labor becomes a scene of forced intimacy, racial dependency, and corrupted innocence. Wearing a “Make America Great Again” cap, the Black caregiver is recast as both saint and captive witness, while the pale child—marked by a forked tongue and flaming Sacred Heart—embodies the menace concealed within the mythology of white innocence. The work asks who has been required to nurture America, whose labor has been sanctified but unacknowledged, and what kind of nation is being raised in her arms. https://images.squarespace-cdn.com/content/v1/623dde2a052c590a4c2f8fcc/7d626d7c-50bb-42d1-ad73-41b8c0993d71/3a.jpg My Projects - Gallery - MARK DOOX Imagine a Faith So False, 2025 Acrylic collage painting with gold metal leaf, paper, and pigmented ink on red-painted cradled wood panel 16 × 12 in. Direct studio price: $1,500 — shipping additional Selected works in this limited release are available directly from the artist at the studio price. The gallery price is the established retail price when the work is sold through a gallery; the direct studio price reflects a purchase without a gallery commission.. Available for acquisition n Imagine a Faith So False, a familiar devotional image of Christ confronts the moral contradiction between public displays of religion and the refusal to care for children in material need. The open book contrasts the political demand for prayer in public schools with resistance to providing students with food. By placing this accusation directly in the hands of Christ, the work challenges a Christianity that treats symbolic piety as sacred while dismissing feeding the hungry as politics. The icon asks whether faith can claim to follow Jesus while rejecting one of his clearest commands: to care for those in need. https://images.squarespace-cdn.com/content/v1/623dde2a052c590a4c2f8fcc/92eed500-702c-4305-bf03-c975b95ec95a/13a.jpg My Projects - Gallery MARK DOOX God of Mock War (ICE Version), 2025 Acrylic collage painting with gold metal leaf, paper, and pigmented ink on red-painted cradled wood panel 16 × 12 in. Direct studio price: $1,500 — shipping additional Selected works in this limited release are available directly from the artist at the studio price. The gallery price is the established retail price when the work is sold through a gallery; the direct studio price reflects a purchase without a gallery commission. Available for acquisition In The Black God of Mock War (ICE Version), a figure derived from a sixteenth-century engraving of Mars, the Roman god of war, is transformed into a crowned and haloed Black deity. The weapons and attributes of ancient warfare are replaced by boxing gloves, balls, bats, rackets, clubs, and a microphone, presenting organized sport as mock war performed for public entertainment. Celebrated for his strength, discipline, and spectacle, the Black athlete is elevated almost to divinity while remaining vulnerable to surveillance, containment, and racial violence. Framed by emblems of ICE and white supremacist power, the figure becomes champion, commodity, god, and target at once. The icon examines an America that worships Black physical power within the arena while fearing and policing that power beyond it. https://images.squarespace-cdn.com/content/v1/623dde2a052c590a4c2f8fcc/8f0d1ac1-84ae-44f7-a2b1-eb9d9bd34aca/9aIG.jpg My Projects - Gallery - MARK DOOX Black Man, 2026 Acrylic collage painting with gold metal leaf, paper, and pigmented ink on red-painted cradled wood panel 16 × 12 in. Direct studio price: $1,500 — shipping additional Selected works in this limited release are available directly from the artist at the studio price. The gallery price is the established retail price when the work is sold through a gallery; the direct studio price reflects a purchase without a gallery commission. Available for acquisition In Black Man, the title plays directly on Batman, recasting the Black male figure as an American anti-hero—a hero whose power and necessity are evident even when society refuses to recognize him as heroic. The bat-like emblem behind him places the figure within the visual mythology of the superhero, while his chained, crucifixion-like pose transforms that mythology into an image of sacrifice, suffering, public judgment, and the perception of him as an Antichrist rather than a savior. Crowned and haloed above a burning world, Black Man embodies the ENIGGERMA: he appears simultaneously powerful and condemned, expected to carry extraordinary burdens, feared for his resilience, and restrained by the very country that benefits from his heroic feats. The work asks what happens when the Black man becomes the center of the story, yet the society to which he has given so much distorts, diminishes, or denies his contribution. https://images.squarespace-cdn.com/content/v1/623dde2a052c590a4c2f8fcc/47782d41-0c6a-4a91-9a8b-ce68744bc6f5/16a+copy.jpg My Projects - Gallery - MARK DOOX Baphomet Saint Sambo, 2026 Acrylic collage painting with gold metal leaf, paper, and pigmented ink on red-painted cradled wood panel 16 × 12 in. Direct studio price: $1,500 — shipping additional Selected works in this limited release are available directly from the artist at the studio price. The gallery price is the established retail price when the work is sold through a gallery; the direct studio price reflects a purchase without a gallery commission. Available for acquisition In Baphomet Saint Sambo, the racist caricature of Sambo is transformed into a horned, haloed saint who occupies the unstable space between demon, fool, preacher, and truth-teller. His blackface grin recalls the performance historically demanded of Black people by white society, but it also functions as a mask of strategic accommodation—a means of surviving, observing, and speaking from inside an oppressive order. Framed by the American flag and dressed in sacred vestments, Saint Sambo embodies the contradiction of being required to appear harmless while being treated as morally suspect and spiritually dangerous. The horns also reflect the persistent demonization of Black people when they speak truths that expose American hypocrisy. The open book reverses that judgment, condemning a faith that demands prayer in public schools while refusing to feed children. The icon asks where the real blasphemy resides: in the horned Black saint who speaks the truth, or in a nation that sanctifies cruelty and calls it Christianity. https://images.squarespace-cdn.com/content/v1/623dde2a052c590a4c2f8fcc/45bda8c8-dcd3-4867-8be7-92edc90db910/6a-IG.jpg My Projects - Gallery - MARK DOOX Ain’t Jah’s Momma Presenting White Baby Jesus’ Social Justice and Racial Equity Program to the Nation, 2026 Acrylic collage painting with gold metal leaf, gold foil, paper, and pigmented ink on red-painted cradled wood panel 16 × 12 in. Direct studio price: $1,500 — shipping additional Selected works in this limited release are available directly from the artist at the studio price. The gallery price is the established retail price when the work is sold through a gallery; the direct studio price reflects a purchase without a gallery commission. Available for acquisition In Ain’t Jah’s Momma Presenting White Baby Jesus’ Social Justice and Racial Equity Program to the Nation, a Black Madonna presents a white Christ child whose program for racial justice consists of a familiar Christian instruction: “Thou shalt turn the other cheek.” The comic-book “SMACK!” interrupts the solemnity of the traditional icon, revealing the physical and historical cost concealed within that command. “Ain’t Jah’s Momma” is a play on Aunt Jemima, transforming a racist caricature of Black servitude into a sacred maternal figure who, within the racial imagination being critiqued, is permitted to nurture divinity but not to give birth to divinity in her own image. The work questions a version of Christianity that places the burden of reconciliation upon those who have been struck, asking Black people to absorb violence, forgive endlessly, and demonstrate moral purity while the structures producing that violence remain intact. By presenting endurance as a national racial-equity program, the icon exposes the distance between Christian nationalist rhetoric and material justice. https://images.squarespace-cdn.com/content/v1/623dde2a052c590a4c2f8fcc/5e215ceb-d423-4dac-9149-1a744cecd828/20a-IG.jpg My Projects - Gallery - MARK DOOX Jesus While Black, 2026 Acrylic collage painting with gold metal leaf, gold foil, paper, and pigmented ink on red-painted cradled wood panel 16 × 12 in. Direct studio price: $1,500 — shipping additional Selected works in this limited release are available directly from the artist at the studio price. The gallery price is the established retail price when the work is sold through a gallery; the direct studio price reflects a purchase without a gallery commission. Available for acquisition In Jesus While Black, a familiar white image of Christ holds a wanted poster identifying a Black Jesus of Nazareth as wanted “for living while Black.” The composition divides one sacred identity between two racialized bodies: the white Christ is accepted, protected, and recognized as divine, while the Black Christ is treated as suspicious, surveilled, and criminalized. Borrowing the language of “living while Black” and the visual grammar of a police notice, the icon exposes how race shapes who is permitted to appear innocent, holy, and fully human. The word “wanted” carries a double meaning: the Black Christ is both urgently needed and actively hunted. The white Jesus becomes a witness to a society that embraces divinity in a European image while perceiving that same divinity, embodied as Black, as a threat. The work asks whether a culture can claim to worship Christ while continuing to criminalize him whenever he appears in a Black body. https://www.markdoox.com/work/the-nword-of-god-3ecj2 monthly 0.5 2023-09-17 https://images.squarespace-cdn.com/content/v1/623dde2a052c590a4c2f8fcc/97c17f22-c8f2-49b5-8960-c40deb7bc069/NW%23154+copy.jpg My Projects - Book: THE N-WORD OF GOD - The N–Word of God Is a literary graphic novel and art book of interconnected illustrated stories of social insight, cognitive surprise, wry mirth and black existential wonder. With satirical wit and stunning Byzantine icon-like illustrations, Doox has created a metamodern masterpiece of African-American storytelling and Black signifyin’ wisdom. Doox never misses the empathic center of his illuminating truths. And he challenges the reader with unexpected ideas and connections in this must-have work of ‘Black’ art and ‘Black’ literature. Out now. The N-Word of God serves as a primer, introducing and referencing specific ideas within the iconographic world that Doox has created. This book is a prerequisite for understanding Doox’s current Byz Dada (Byzantine Dadaism) series of works. "Lands like a provocative punch in the chops." — Robert Ito - The New York Times “The N-Word of God” feels almost otherworldly, drawing the reader up above this racialized reality of dueling relationships and false binaries. — Starlette Thomas - Good Faith Media "This is the best kind of political art, ingenious, tasteless, bold and fearless. … It's a mind-blowing work that'll leave readers reeling." —Mark Judge - Splice Today https://images.squarespace-cdn.com/content/v1/623dde2a052c590a4c2f8fcc/814c1f2a-dbfb-4d01-bd6c-4e84fe665d23/NW%2330a+copy.jpg My Projects - Book: THE N-WORD OF GOD - Make it stand out Whatever it is, the way you tell your story online can make all the difference.